{"id":63,"date":"2025-02-28T14:43:37","date_gmt":"2025-02-28T13:43:37","guid":{"rendered":"http:\/\/alexyfigerova.com\/?page_id=63"},"modified":"2025-04-29T10:18:38","modified_gmt":"2025-04-29T08:18:38","slug":"biografia","status":"publish","type":"page","link":"https:\/\/alexyfigerova.com\/sk\/biografia\/","title":{"rendered":"Biografia"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"Katar\u00edna\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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BIOGRAFIA<\/b><\/p>

Katar\u00edna Alexy F\u00edgerov\u00e1 je v\u00fdznamn\u00e1 slovensk\u00e1 umelky\u0148a, ktorej \u017eiv\u00e9 a expres\u00edvne ma\u013eby boli \u0161iroko vystavovan\u00e9 nielen na Slovensku, ale aj v zahrani\u010d\u00ed. Jej tvorba, charakteristick\u00e1 bohatou farebnou paletou a emocion\u00e1lnou h\u013abkou, si z\u00edskala uznanie v s\u00fakromn\u00fdch aj in\u0161titucion\u00e1lnych zbierkach po celom svete.<\/p>

V\u00ddSTAVY<\/b><\/p>

Katar\u00edna Alexy F\u00edgerov\u00e1 za\u010dala vystavova\u0165 svoje diela v roku 1999, pri\u010dom svoju prv\u00fa samostatn\u00fa v\u00fdstavu mala v D-Gallery v Prahe, \u010cesk\u00e1 republika. Po\u010das rokov sa z\u00fa\u010dastnila mnoh\u00fdch samostatn\u00fdch aj skupinov\u00fdch v\u00fdstav na Slovensku, v \u010ceskej republike, vo Franc\u00fazsku a \u010fal\u0161\u00edch krajin\u00e1ch.<\/p>

UMELECK\u00c9 DEDI\u010cSTVO<\/b><\/p>

Katar\u00edna Alexy F\u00edgerov\u00e1 sa neust\u00e1le vyv\u00edja ako umelky\u0148a, zachyt\u00e1vaj\u00fac em\u00f3cie a pr\u00edbehy prostredn\u00edctvom svojich dynamick\u00fdch a expres\u00edvnych diel. Jej ma\u013eby, zn\u00e1me svoj\u00edm v\u00e1\u0161niv\u00fdm vyu\u017eit\u00edm farieb a introspekt\u00edvnymi t\u00e9mami, zost\u00e1vaj\u00fa v\u00fdznamn\u00fdm pr\u00ednosom pre s\u00fa\u010dasn\u00e9 slovensk\u00e9 aj medzin\u00e1rodn\u00e9 umenie.<\/p>

OCENENIA<\/strong><\/p>

2023 \u2013 Pam\u00e4tn\u00fd list predsedu Bratislavsk\u00e9ho samospr\u00e1vneho kraja za rok 2022<\/p>

ZAST\u00daPENIE<\/strong><\/p>

VW Slovakia \u2013 Bratislava, Sanlis Francuzsko, n\u00e1rodn\u00fd onkologick\u00fd \u00fastav, Paneur\u00f3pska vysok\u00e1 \u0161kola, Spr\u00e1va Letiska Bratislava, \u0160t\u00e1tna vetern\u00e1rna spr\u00e1va, Danubia Bratislava, S\u00fakromn\u00e9 zbierky Eur\u00f3pa, USA, Kanada, Japonsko<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u017divotn\u00e9 medzn\u00edky Katar\u00edny Alexy F\u00edgerovej<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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V\u202frokoch 1978 \u2013 1982 \u0161tudovala na Strednej priemyselnej \u0161kole grafickej v\u202fBratislave. Po skon\u010den\u00ed \u0161t\u00fadia sa venovala reklamnej grafike, plag\u00e1tu a\u202fgrafick\u00e9mu designu katal\u00f3gov, ale aj textiln\u00e9mu n\u00e1vrh\u00e1rstvu a\u202fodevn\u00e9mu designu. Postupne v\u0161ak za\u010dali vznika\u0165 diela vytvoren\u00e9 technikou airbrushu.<\/p>

Od roku 1992 za\u010dala intenz\u00edvne ma\u013eova\u0165 aj akrylom a\u202folejom. Od roku 2002 vytv\u00e1rala dreven\u00e9 sochy obohaten\u00e9 o\u202fpolychr\u00f3miu. V\u202froku 2015 sa naplno prejavil u\u202fnej vz\u0165ah k\u202f\u017eelezu, v\u202ftov\u00e1rni na obr\u00e1bacie stroje v\u202fKol\u00e1rove za\u010dala zbiera\u0165 r\u00f4zne v\u00fdlisky a\u202fv\u00fdpalky, ktor\u00e9 vyu\u017e\u00edvala pre svoje soch\u00e1rske diela. V\u202froku 2019 vznikaj\u00fa pr\u00e1ce v\u202fbronze a\u202fv\u202ftom istom roku bola rezidentkou Cit\u00e9 internationale des arts v\u202fPar\u00ed\u017ei.<\/p>

V roku 2023 z\u00edskala ocenenie Bratislavsk\u00e9ho samospr\u00e1vneho kraja za tvorbu roku 2022 a takisto sa stala v\u00fdznamnou osobnos\u0165ou bratislavskej mestskej \u010dasti D\u00fabravka.<\/p>

Narodila sa v\u202fBratislave (8. 1. 1963), kde \u017eije a\u202ftvor\u00ed. Venuje sa ma\u013ebe, grafike a\u202fsoch\u00e1rskej tvorbe.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Farebn\u00e9 vibr\u00e1cie tvorby<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dagmar Kudol\u00e1ni Srnensk\u00e1<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Robin S. Sharma vyslovil zauj\u00edmav\u00e9 slov\u00e1: \u201eAkon\u00e1hle sa nau\u010d\u00ed\u0161 kontrolova\u0165 svoju myse\u013e, my\u0161lienky a\u202fem\u00f3cie, m\u00e1\u0161 pod kontrolou aj cel\u00fd svoj \u017eivot. A\u202fakon\u00e1hle bude\u0161 ma\u0165 pod kontrolou cel\u00fd \u017eivot, ovl\u00e1dne\u0161 svoj vlastn\u00fd osud.\u201c Tieto slov\u00e1 aj ke\u010f sa to nezd\u00e1, m\u00f4\u017eeme aplikova\u0165 aj na v\u00fdber mot\u00edvov v\u202fmaliarskej tvorbe Katar\u00edny Alexy F\u00edgerovej. Citujem to preto, lebo v\u202fr\u00e1mci svojej reflexie povedala: \u201eRob to, \u010do miluje\u0161 a\u202fnie to, \u010do by chceli in\u00ed. Ak je to zo srdca, je to spr\u00e1vna cesta. Bu\u010f na seba dobr\u00e1, netrestaj sa, to za teba spravia druh\u00ed.\u201c Vo svojich dielach pr\u00e1ve v\u00fdznam t\u00fdchto dvoch cit\u00e1tov pod\u013ea m\u0148a, tak ako som mala mo\u017enos\u0165 pozna\u0165 a\u202fstret\u00e1va\u0165 sa s\u202fKatkou, zhmot\u0148uje do farieb. Tie v\u202fjednotliv\u00fdch jej pr\u00e1cach vyvol\u00e1vaj\u00fa cel\u00e9 oh\u0148ostroje asoci\u00e1ci\u00ed. Je zauj\u00edmav\u00e9, \u017ee v\u202fma\u013eb\u00e1ch je to ve\u013emi emocion\u00e1lna str\u00e1nka interpret\u00e1cie vlastn\u00fdch my\u0161lienok, poznan\u00ed a\u202fz\u00e1\u017eitkov, v\u202fsoch\u00e1rskej tvorbe naopak racion\u00e1lna, v\u202fasambl\u00e1\u017each a\u202fkol\u00e1\u017each zase humorn\u00e1.<\/p>

Realita je pre \u0148u mnohofarebn\u00e9 znenie. Obrazy sa st\u00e1vaj\u00fa v\u202fjej ma\u013eb\u00e1ch rezonan\u010dnou doskou tohto zvl\u00e1\u0161tneho pre\u017e\u00edvania skuto\u010dnosti, kde plochy, l\u00ednie a\u202ffarby vyjadruj\u00fa auton\u00f3mnymi v\u00fdtvarn\u00fdmi hodnotami v\u00e1\u0161niv\u00fd entuziazmus samotn\u00fdch interpret\u00e1ci\u00ed zvolen\u00fdch mot\u00edvov.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Zobrazi\u0165 viac <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Katar\u00edna Alexy F\u00edgerov\u00e1 patr\u00ed k\u202fv\u00fdrazn\u00fdm predstavite\u013ek\u00e1m s\u00fa\u010dasnej gener\u00e1cie, ktor\u00e9 vst\u00fapili do slovensk\u00e9ho v\u00fdtvarn\u00e9ho umenia v\u202fosemdesiatych rokov. Na jej v\u00fdtvarn\u00fd prejav prirodzene vpl\u00fdvala doba spojen\u00e1 s\u202fprejavom nov\u00fdch eur\u00f3pskych maliarskych tendenci\u00ed z\u202fkonca sedemdesiatych a\u202fosemdesiatych rokov. Spo\u010diatku grafick\u00e1, no nesk\u00f4r najm\u00e4 maliarska tvorba sa vyzna\u010duje vz\u00e1cnym spojen\u00edm postmodernistick\u00fdch tendenci\u00ed. V\u202fjej umeleckom prejave sa sp\u00e1ja americk\u00e1 gestick\u00e1 ma\u013eba s\u202famerick\u00fdm expresionizmom 40-tych rokov minul\u00e9ho storo\u010dia, najm\u00e4 sp\u00f4sob ak\u00fdm interpretoval realitu napr\u00edklad Willem de Kooning. Bez ak\u00fdchko\u013evek n\u00e1siln\u00fdch spojen\u00ed s\u202ft\u00fdmto umelcom, charakter vyjadren\u00ed v\u202fniektor\u00fdch dielach umelkyne vid\u00edm identick\u00fd, a\u202fto aj napriek tomu, \u017ee ich rozde\u013euje ve\u013ek\u00e9 \u010dasov\u00e9 rozp\u00e4tie a\u202fin\u00e9 v\u00fdtvarno-spolo\u010densk\u00e9 s\u00favislosti. Spolo\u010dn\u00e9 v\u0161ak maj\u00fa to, \u017ee v\u202ftvorbe vyu\u017e\u00edvaj\u00fa emocion\u00e1lny symbolick\u00fd potenci\u00e1l z\u00e1kladn\u00fdch aspektov maliarskeho procesu, a\u202fto gesta, farby, formy a\u202f\u0161trukt\u00fary.<\/p>

V\u202fdielach ako \u010cerven\u00fd kruh, 2015, Jazz Guitar from St. Germain, 2016, Ariadnina ni\u0165 v\u202fbludi\u0161ti snov, 2017 alebo De\u0148 v\u202fS\u00f3ller, 2022, Kvet pre… 2022, sugest\u00edvny farebn\u00fd v\u00fdraz sa pretavuje do metaforickej re\u010di a\u202fimaginat\u00edvnej hry symbolov a\u202fznakov. V\u202fSne v\u010deraj\u0161ej noci, 2019, Carussel, 2021 alebo Golden Dutch tulips, 2023, spr\u00edtom\u0148uje siln\u00e9 z\u00e1\u017eitky a\u202fin\u0161pir\u00e1cie z\u202fliterat\u00fary, hudby, ale aj vzdialen\u00fdch exotick\u00fdch kraj\u00edn. Kladie ich do rozmanit\u00fdch rov\u00edn, vrstv\u00ed, obmie\u0148a a\u202fprekr\u00fdva. S\u00fa symbolom Alexy F\u00edgerovej v\u00fdznamov\u00e9ho kontrastu zmyslov\u00e9ho a\u202fpocitov\u00e9ho vn\u00edmania reality. Odv\u00e1\u017ene farebn\u00e9 t\u00f3ny nanesen\u00e9 temperamentn\u00fdm maliarskym rukopisom sa prel\u00ednaj\u00fa s\u202fdynamicky vedenou l\u00edniou. Asambl\u00e1\u017ee a\u202fkol\u00e1\u017ee nadob\u00fadaj\u00fa reli\u00e9fnu, a\u017e trojrozmern\u00fa podobu, sochy s\u00fa \u010doraz odv\u00e1\u017enej\u0161ie tvarovan\u00e9, kde kov je razantne tvarovan\u00fd, oh\u00fdban\u00fd, strihan\u00fd a\u202fzv\u00e1ran\u00fd.<\/p>

Od prv\u00fdch maliarskych pr\u00e1c ju charakterizoval intelektu\u00e1lny z\u00e1ujem po poznan\u00ed sveta, fauny a\u202ffl\u00f3ry. Diela ako Dvaja koh\u00fati, Ve\u013ek\u00e9 ryby v\u202frybn\u00edku (obidva z\u202froku 2016), Sovi\u010dka \u010do vie \u010d\u00edta\u0165, Rybka tajn\u00fdch \u017eelan\u00ed (obidva z\u202froku 2019), to je len zop\u00e1r pr\u00edkladov z\u202fhumorn\u00fdch interpret\u00e1ci\u00ed zo sveta pr\u00edrody. L\u00e1ka ju v\u0161ak aj atmosf\u00e9ra doby, babylon \u010dasu s\u202fjeho intenz\u00edvnym pre\u017e\u00edvan\u00edm reality a\u202fsnahy nadviaza\u0165 dial\u00f3g so s\u00fa\u010dasn\u00fdmi civiliza\u010dn\u00fdmi pr\u00fadmi. Prirodzen\u00fdm sp\u00f4sobom si prisvojuje v\u00fdrazov\u00e9 prostriedky zd\u00f4raz\u0148uj\u00face exploz\u00edvnu silu kontrastn\u00fdch a\u202fsvietiv\u00fdch farieb, nap\u00e4tie medzi vrstvami a\u202f\u0161trukt\u00farami, ktor\u00e9 vn\u00e1\u0161a do priestoru v\u202fmaliarskych a\u202fsoch\u00e1rskych pr\u00e1cach.<\/p>

Rada pou\u017e\u00edva expresivitu l\u00ednie a\u202ftvaru, ako aj monument\u00e1lnos\u0165 obrazov\u00e9ho posolstva spolu s\u202fn\u00e1jden\u00fdmi predmetmi \u2013 objet trouv\u00e9, ktor\u00e9 vklad\u00e1 do obrazov\u00e9ho priestoru. Wassilij Kandinsky na margo svojej tvorby raz povedal: \u201eJedn\u00e9ho d\u0148a som si uvedomil, \u017ee predmety mojej ma\u013ebe \u0161kodia.\u201c Katke pr\u00e1ve ne\u0161kodia, sk\u00f4r naopak, dotv\u00e1raj\u00fa jej v\u00fdpovedn\u00fa hodnotu diela. Vklad\u00e1 do nich veci n\u00e1jden\u00e9 v\u202fstaro\u017eitnostiach, na skl\u00e1dkach odpadu, na ulici, ale aj predmety pripom\u00ednaj\u00face ur\u010dit\u00e9 pekn\u00e9 a\u202fkr\u00e1sne z\u00e1\u017eitky, \u00fa\u017easn\u00e9 situ\u00e1cie s\u202fpriate\u013emi a\u202fzn\u00e1mymi \u2013 Jeden de\u0148 na Palau Island, 2015, \u0160panielske leto, 2018, Paloma Negra, 2023. V\u202fjej obrazoch n\u00e1jdeme vlo\u017een\u00e9 \u0161tetce, hracie karty, \u010dipky, maliarsku paletu, husle, gramof\u00f3nov\u00fa plat\u0148u, ale aj \u017eelezo alebo piesok \u2013 Hlas z\u202fgramof\u00f3nu, 2019, Roztr\u017eit\u00e1 sova, Sovia son\u00e1ta (obidva z\u202froku 2022). Maliarske gesto \u0161tetcom neraz zn\u00e1sobuje pou\u017eit\u00edm \u0161pachtle alebo len rukopisom prstov.<\/p>

Extrovertnos\u0165 maliarskeho prejavu sa u\u202fnej v\u017edy sn\u00fabi s\u202fintrovertnos\u0165ou intelektu. Prirodzene ako ka\u017ed\u00fd umelec, aj ona pre\u0161la d\u00f4le\u017eit\u00fdm \u013eudsk\u00fdm aj v\u00fdtvarn\u00fdm v\u00fdvojom, rozmanit\u00fdmi zmenami a\u202fpremenami vo svojom \u017eivote. M\u00f4\u017ee sa zda\u0165, \u017ee jej rozhodnutie \u0161tudova\u0165 na Strednej priemyselnej \u0161kole grafickej v\u202fBratislave v\u00fdrazne ovplyvn\u00ed \u010fal\u0161ie umeleck\u00e9 smerovanie. Je to skuto\u010dne tak, preto\u017ee rada kresl\u00ed. Klasick\u00e1 kresba sa prejavuje nielen v\u202fgrafickej tvorbe, ale aj v\u202f maliarskej tvorbe, kde presne vymedzuje geometrick\u00fd tvar alebo \u0161tylizovan\u00fa podobu \u013eudskej postavy. Variabilita r\u00f4znych geometrick\u00fdch prvkov spolu s\u202fexpresivitou maliarskeho rukopisu mala v\u00fdrazn\u00fd vplyv ako v\u202fpo\u010diato\u010dnej tvorbe, tak hlavne v\u202fjej neskor\u0161\u00edch maliarskych dielach, najm\u00e4 v\u202ft\u00fdch, ktor\u00e9 vyjadrovali premeny \u0161trukt\u00far, zmeny foriem a\u202frozmanitos\u0165 tvarov.<\/p>

Katka Alexy F\u00edgerov\u00e1 ako ve\u013emi vn\u00edmav\u00fd \u010dlovek a\u202fumelec \u010dasto vo svojich pr\u00e1cach vyu\u017e\u00edva odvek\u00fd symbol \u2013 kruh, ktor\u00fd je pova\u017eovan\u00fd za dokonal\u00fd tvar symbolizuj\u00faci p\u00f4vod \u017eivota. Nem\u00e1 za\u010diatok ani koniec, preto je symbolom ve\u010dnosti, boha a\u202fjednoty. Z\u202fh\u013eadiska mu\u017esk\u00fdch a\u202f\u017eensk\u00fdch princ\u00edpov predstavuje symbol \u017eenskosti, \u017eenskej energie, ducha a\u202fsily. Znamen\u00e1 kolobeh Slnka, Mesiaca, Zeme, karmu alebo kruh \u017eivota. Cyklus Odyssey, 2022 alebo Vari\u00e1cie, 2023 s\u00fa tak\u00fdmto kolobehom pr\u00edbehov.<\/p>

V\u202ftvorbe Katky Alexy F\u00edgerovej sa farebn\u00e9 plochy \u010dasto prekr\u00fdvaj\u00fa, zdanlivo n\u00e1m pom\u00e1haj\u00fa vst\u00fapi\u0165 do nezn\u00e1mych dia\u013eav, in\u00e9 sa k\u202fn\u00e1m zase tajomne pribli\u017euj\u00fa. Symbolizuj\u00fa dialektiku spojenia jej z\u00e1\u017eitkov, predst\u00e1v a\u202fsnov, ale aj intelektu\u00e1lnej hry a\u202fduchovn\u00e9ho uvedomenia si seba samej. Svetlo, ktor\u00e9 vymedzilo tmav\u00fdm ploch\u00e1m pr\u00edslu\u0161n\u00e9 hranice, ur\u010duje pravidl\u00e1 aj v\u202fsoch\u00e1rskych dielach ako Hra o\u202ftr\u00f3n, 2020, No\u010dn\u00fd mot\u00fd\u013e, 2021 alebo magick\u00fdch ma\u013eb\u00e1ch Z\u00e1hrada zimn\u00e9ho slnovratu, 2018 a\u202fZ\u00e1hrada na pobre\u017e\u00ed, 2023. Ako vo v\u0161etk\u00fdch dielach umelkyne
aj v\u202ft\u00fdchto u\u017e samotn\u00e9 n\u00e1zvy nazna\u010duj\u00fa podstatn\u00fd v\u00fdznam obsahu.<\/p>

K\u202fcelej umeleckej tvorbe Katky Alexy F\u00edgerovej sa mi hodia Kandinsk\u00e9ho slov\u00e1 z\u202fknihy O\u202fduchovnosti v\u202fumen\u00ed: \u201eFarba je prostriedok bezprostredn\u00e9ho p\u00f4sobenia na du\u0161u. Farba je kl\u00e1vesnica. Oko je \u00fadern\u00e9 kladivko. Du\u0161a je klav\u00edr s\u202fmnoh\u00fdmi strunami. Umelec je ruka, ktor\u00e1 \u00faderom na ten alebo in\u00fd kl\u00e1ves sp\u00f4sob\u00ed vibr\u00e1ciu du\u0161e.\u201c
Jej maliarske a\u202fsoch\u00e1rske diela s\u00fa toho d\u00f4kazom.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

BIOGRAFIA Katar\u00edna Alexy F\u00edgerov\u00e1 je v\u00fdznamn\u00e1 slovensk\u00e1 umelky\u0148a, ktorej \u017eiv\u00e9 a expres\u00edvne ma\u013eby boli \u0161iroko vystavovan\u00e9 nielen na Slovensku, ale aj v zahrani\u010d\u00ed. Jej tvorba, charakteristick\u00e1 bohatou farebnou paletou a emocion\u00e1lnou h\u013abkou, si z\u00edskala uznanie v s\u00fakromn\u00fdch aj in\u0161titucion\u00e1lnych zbierkach po celom svete. V\u00ddSTAVY Katar\u00edna Alexy F\u00edgerov\u00e1 za\u010dala vystavova\u0165 svoje diela v roku 1999, pri\u010dom […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_theme","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-63","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nBiografia — Katar\u00edna Alexy F\u00edgerov\u00e1<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/alexyfigerova.com\/sk\/biografia\/\" \/>\n<meta property=\"og:locale\" content=\"sk_SK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Biografia — Katar\u00edna Alexy F\u00edgerov\u00e1\" \/>\n<meta property=\"og:description\" content=\"BIOGRAFIA Katar\u00edna Alexy F\u00edgerov\u00e1 je v\u00fdznamn\u00e1 slovensk\u00e1 umelky\u0148a, ktorej \u017eiv\u00e9 a expres\u00edvne ma\u013eby boli \u0161iroko vystavovan\u00e9 nielen na Slovensku, ale aj v zahrani\u010d\u00ed. 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